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FAQ on Battery Modules and Preamps


Questions:
1-What is a "battery module"?
2-When do I need to use a battery module?
3-When would it be better to use a mic preamp?

Answers:
1-What is a "battery module"?
A "battery module" is another name for an in-line (in series) auxiliary power source, or power supply. In most cases, the power for the battery module is provided by a standard 9 volt D.C. (Direct current) alkaline battery. The module also contains  the necessary electronic components to power an electret, or pair of electret microphones (sometimes inaccurately called "condenser" microphones). The module may also contain other components whose purpose is to alter the bass response of the microphones plugged into it (a "bass roll-off" filter), or controls that affect the output level of the module (level controls). It is important to note that a "battery module" WILL NOT increase the output of a microphone(s) plugged into it-this is the job of a microphone preamplifier. The battery modules purpose is to power a microphone, not amplify it's signal level. Battery modules are known as "battery boxes" by some manufacturers.

2-When do I need to use a battery module?

When you want to record very loud sounds

When you want to record very loud sounds with a microphone/ recorder combination, several things must be considered. All condenser type microphones need a power source to operate. For the smaller condensers (more correctly called "Electrets"), this power source is generally 1.5 to 10 volts direct current (VDC). The closer you get to providing 10vdc to the mics, the better they will be able to handle loud sounds without producing any distortion. Many of the MD, DAT, Camcorder and cassette recorders available today provide a small power source at the mic input, often labeled "plug in power". This power source is commonly about 3 to 4 vdc, but can be lower in some Sony MD models (R70 and R90).

This is enough voltage to power the mics, but not enough to let them realize their full dynamic range. Because of this under-powering at the mic input of the recorder, a battery module can be used to replace the "plug in power" provided by the recorder. These battery modules provide a little over 9 vdc, very close to the optimum voltage for the microphones. Additionally, there is an added benefit to using a battery module. When you use a battery module, you are not dependent on the recorders "plug in power", so in moderately loud to very loud situations, you can use the line input of your recorder and still get acceptable recording levels (in softer recording situations, you would still need to use the mic input, even with the battery module).

The line input has less noise than most microphone inputs as it bypasses the relatively noisy mic pre amplification stage. The line input is also capable of handling a much higher signal level than the mic input, and will not result in a phenomena commonly know as "brick walling", which happens when the signal fed into a mic input is so high that it distorts the mic input, regardless of the recording level setting. 
 

When the sound you are recording has excessive bass content 
A battery module equipped with a "bass roll off" filter (or bass reduction filter) can be used to filter, or reduce varying degrees of bass content from the sound to be recorded. This is especially important when recording sounds with excessively high levels of bass content. Our battery modules with this feature allow 7 choice of bass reduction, from no reduction at all, to a high degree of reduction. 
 
When you want to avoid using the microphone input of your recorder 
As mentioned above, most built-in mic pre amps on the small portable recorders are rather noisy and may add unwanted coloration to the sound to be recorded. Using the line input will almost always result in a less noisy, cleaner sounding recording. Using a battery module in moderately loud to very loud situations, you can use the line input of your recorder instead of the mic input. The line input has less noise than most microphone inputs as it bypasses the relatively noisy mic pre amplification stage. The line input is also capable of handling a much higher signal level than the mic input, and will not result in a phenomena commonly know as "brick walling", which happens when the signal fed into a mic input is so high that it distorts the mic input, regardless of the recording level setting. 
 
When you want to be able to adjust the recording level while recording on a SONY MiniDisc 
Many of the current SONY MiniDisc recorders have a limitation built right into them.....they don't allow the user to manually adjust recording levels while you are recording. You must first pause the recording before adjusting recording levels. This can be a nuisance if you find the need to adjust the recording level in the middle of the program you are recording. Because of this, we have an option available on our full size and Slimline battery modules. This option allows the user to adjust the output of the battery module, effectively adjusting the recording level by changing the level of the signal going into the recorder. These controls are mounted inside the battery module to protect them from accidental movement while in a pocket or bag, and to protect them from the elements for a longer, noise-free life.. 
 
When you want to use our mics with a recorder or other device that does not supply "plug in power" 
As mentioned in #1 above, many recorders on the market today supply "plug in power" at the mic input. However, there are some that don't....professional recorders, very inexpensive recorders, mixers, etc. Even mixers that have 48 volt phantom would need a battery module (or AT8533x power adapter) to power the small electret mics as they are not designed to work with 48VDC, and would be damaged if plugged directly into 48VDC. Using a battery module will allow you to use the mics with just about any piece of equipment that can accept a mic or line level source. 
 
When you want to use our mics with a Camcorder in loud situations 

Most camcorders on the market today, while having "plug in power", can't handle the high signal levels produced by microphones used in loud situations. The signal level must be "attenuated", or lowered,  before it reaches the mic input of the recorder. Our battery modules, when fitted with the level control option, allow the user to reduce the output level of the mics so that a camcorders mic input can handle the signal level without distorting or "brick walling". 

3-When would it be better to use a mic preamp?

When you own one of the newer SONY MD recorders

A microphone preamp is useful when you have one of the newer SONY MD recorders that DOES NOT have a microphone sensitivity setting AND you want to be able to record sounds that are moderate.....not loud enough for a battery module/line input combination (as described above) but too loud for the easy-to-overload microphone input of the MD recorder.

When you own one of the Creative Labs Nomad® player/recorders

The Nomad® products are capable of making live recordings, but only with a "pre-amplified" microphone (as stated on their website). This is because the Nomad does not have a built-in microphone preamp, as MD and DAT recorders do. So, by combining a microphone with a preamp, you will be able to feed a signal into the Nomad that is strong enough for high quality recordings.

When you want to use a microphone with a home recorder

Most home recorders do not come with microphone inputs. Using a preamplifier between your microphone and your home deck will allow you to make live recordings with the home deck, plugging into the analog line inputs.

 

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